Syd Barrett by song

Swan Lee
(song about Indian Girl)

May 6 1968 (Early Instrumental Version)
Swan Lee instrumental is “the land in Silas stands” … did Syd ever like saxs?Opelzine#8
"Swan Lee: Take 1"(recorded) on "Flaming And Screaming"-7 (best quality)
"Swan Lee: Take 1"(recorded) on "Melk Weg"-3 aka “Instrumental #1”
"Swan Lee: Take 1"(recorded) on "Mistery Tracks"
(This is RM1, from 4-track. Take 1???)
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

May 21 1968
"Swan Lee: Take 2"(overdubbed? or 4 track copy on? ) U N R E L E A S E D
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

May 28 1968
"Swan Lee: Take 3"( drums’backwards overdubbed?) U N R E L E A S E D
"Swan Lee: Take 5?""(recorded) (CD Box: recorded) U N R E L E A S E D (3:10)
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

June 8 1968
"Swan Lee: Take 4"( electric guitar overdubbed) on "Flaming And Screaming"
or "Swan Lee: Take 5?"(recorded?) on ""Flaming And Screaming" -8(best quality)
"Swan Lee: Take 5?""(overdubbed) (CD Box: overdubs added?) U N R E L E A S E D (3:10)
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

June 20 1968 (Vocal Version)
"Swan Lee: Take 5"(acoustic guitar & vocal overdubbed) on "Opel" (Track 8) & (Box 3,8) (3:10)
"Swan Lee: Take 5"(DOLBY SURROUND) on "Opel" (Track 8) & (Box 3,8)
++Sax/Banjo almost unhearing++
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

Thursday, April 10 1969 7p.m. - 12.30
"Swan Lee: Take 5"( (acoustic?) guitar & (double track?) vocal overdubbed)
P R O D U C E D B Y M A L C O L M J O N E S
(engineer - Peter Mew)

April 25 1969(Sax/Banjo Vocal Version)
"Swan Lee: Take 5""(overdubbed) (CD Box:Further overdubs added) on "Opel" (Track 8)
& (Box 3,8) (3:10)
P R O D U C E D B Y M A L C O L M J O N E S
(engineer - Peter Mew)
"Swan Lee: Take 5""(transfered) (This is RM1, from 4-track. Take 1)
T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E
"Swan Lee: Take 5"(recorded?) on "Melk Weg"-7 aka “Swan Lee”
"Swan Lee: Take 5"(recorded?) on ""Flaming And Screaming" -8(best quality)
(NOT USED)
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Late Night

May 6 1968
"Late Night, Version One: Take 1"
(recorded and probably erased when re-recorded May 21) U N R E L E A S E D
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

May 21 1968
"Late Night, Version Two: Take 2"(overdubbed?)
(partly used for LP) U N R E L E A S E D
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown

May 28 1968 (original backing track without vocal and slide guitar
"Late Night, Version Two: Take 2"(recorded) (CD Box: recorded)
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown

June 20 1968 (original backing track without vocal and slide guitar)
"Late Night, Version Two: Take 2" (overdubbed?) U N R E L E A S E D
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

Friday, April 11 1969 (overdubbed a)slide guitar and b)vocal)
(Malcolm Jones and Syd Barrett resumed overdub vocal and slide. MOTML)
"Late Night, Version Two: Take 2" (overdubbed?) on (Box 3,19) (3:19)
without vocal with slide
"Late Night, Version Two: Take 2" (DOLBY SURROUND) on (Box 3,19) (3:19)
Syd Barrett - slide guitar(using his cigarette lighter as a slide)
++slide guitar only++
"Late Night: Take 2" (DOLBY SURROUND) on "Madcap Laughs" (Track 13) & (Box 1,13) (3:10)
upfront vocal (
The vocal took no time at all. MOTML)
"Late Night: Take 2" (overdubbed voc) on "Madcap Laughs" (Track 13) & (Box 1,13) (3:10)
Syd Barrett - vocal
vocal
P R O D U C E D B Y M A L C O L M J O N E S
(engineer - Peter Mew)

April 25 1969
"Late Night: Take 2"(transfered)
T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E

September 16, 1969 Session Three
"Late Night: Take 2" -- April 11, 1969 on "Madcap Laughs" (Track 13) & (Box 1,13) (3:10)
M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R

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Rhamadan

May 14 1968, Abbey Road Studio 3 (“Some weird friends of Syd’s” Session)
(Rhamadan lasted for almoust 20 min MOTML)
(whole(?) session was to be done 'live' with some weird friends of Syd’s)
(Maybe not Syd playing MOTML)
"Rhamadan: Demo"(conga drums recorded) on "Steel Breeze" (?:??)
"Rhamadan: Demo"(conga drums recorded) on " Rhamadan " (1:35)
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown & (?) John Leckie (RJL)))

May 28 1968
"Rhamadan"(conga drums) (overdubbed?) U N R E L E A S E D
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

April 23, 1969 morning
(Rhamadan - 3hours (10:30am to 1:00pm) they tried put overdubs of a motorcycle onto it
Motorbike effects:There are rumors that the Floyd used it in AHM Opelzine#8)
"Motorbike effects"(transferred from portable cassette player to the Studer 4 track and
mixed into conga drums) IN E.M.I ARCHIVES, U N R E L E A S E D
(PBS TV Pink Floyd Soundtrack has motorbike effects taken from EMI archives by Sound Engineer may be)
"Rhamadan"(conga drums) (overdubbed) U N R E L E A S E D
P R O D U C E D B Y M A L C O L M J O N E S
(engineer - Peter Mew)
+ RECONSTRUCTION ! +
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Lanky

May 14 1968, Abbey Road Studio 3 (“Some weird friends of Syd’s” Session)
(Similar with middle part of Interstellar Overdrive)
(Engineer Peter Bown’s announcement is rather wearily,”Five minute of drums!” MOTML)
"Lanky (Part 1): Take 1 “( DOLBY SURROUND) on "Opel" (Track 11) & (Box 3,11) (3:11)
Echo monitor
"Lanky (Part 1): Take 1 “(the only version of this song in existence)
(CD Box : recorded) on "Opel" (Track 11) & (Box 3,11) (3:11)
?????? - vibes
?????? - bass
?????? - drums
?????? - guitar ALL SESSION LIVE ?????

(00:05-5:35=5:30)
1 - Guitar,piano,vibes
2 - percussion
3 -
4 -

“Drums” "Lanky (Part 2): Take 2" (recorded) U N R E L E A S E D

(5:50-13:07=7:17)
1 - 2nd drums
2 - 1st drums
3 -
4 -

P R O D U C E D B Y P E T E R J E N N E R
(engineers - Peter Bown & John Leckie (RJL))
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Golden Hair

May 14 1968 , Abbey Road Studio 3 (“Some weird friends of Syd’s” Session) (
instrumental backing track)
"Golden Hair, Version One : Take 1"(CD Box: recorded) on"Opel" (Track 14) & (Box 3,14)(1:49)
?????? - vibes
?????? - drums
?????? - guitar
"Golden Hair, Version One : Take 1"( DOLBY SURROUND) on"Opel" (Track 14) & (Box 3,14)

(1:49)
monitor, in the end big noise by increasing volume of recording

1) (13:40-15:35=1:47)
1 - guitar
2 - drums
3 - vibes
4 - (acc guit, bass overdubbed 28.05.68)

2) (15:45-17:59=2:12)
1 - guitar
2 - drums
3 - vibes
4 - (acc guit, bass overdubbed 28.05.68)

3) (18:05-19:43=1:32)
1 -
2 - drums
3 - vibes
4 -

4) (20:02-22:17=2:14)
1 -
2 - drums
3 - vibes
4 -

P R O D U C E D B Y P E T E R J E N N E R
(engineers - Peter Bown & John Leckie (RJL))

May 28 1968
"Golden Hair, Version One: Take 2"(overdubbed ac. guit and bass) U N R E L E A S E D
track4 - acc.guitar, bass thru mixdeck
Syd Barrett - acc.guitar
?????? - bass
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown & John Kurlander (JK))

June 8 1968
"Golden Hair, Version One: Take 5" (CD Box: recorded???) on (Box 1,19) (??:??)
June 20 1968
"Golden Hair, Version One: Take 3-4" (recorded & 4 track copy on Take 2(?))
U N R E L E A S E D
"Golden Hair, Version One: Take 5" (recorded & 4 track copy on Take 2) on (Box 1,19) (??:??)
(this is take 5 on 4 track copy of take 2)
"Golden Hair, Version One: Take 5 (DOLBY SURROUND) on (Box 1,19) (??:??)
clearly percussions and more vibes
P R O D U C E D B Y P E T E R J E N N E R
(engineer - Peter Bown)

Friday, April 11 1969
(MJ:”Golden Hair needed a little cleaning up” MOTML)
"Golden Hair, Version One : Take 2" (transferring from the original 4 track to an 8 track master)
"Golden Hair, Version One : Take 2" (overdubbed) U N R E L E A S E D
Syd Barrett - vocal & acoustic guitar
"Golden Hair, Version Two : Take 2" (overdubbed) U N R E L E A S E D
Syd Barrett - adding harmony vocal line
P R O D U C E D B Y M A L C O L M J O N E S
(engineer - Peter Mew)
Friday, April 11 1969 (MOTML)

April 25 1969
"Golden Hair, Version Two: Take 11"(transfered)
T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E
June 12 1969
The recording sheet lists Syd and Dave Gilmour as producers, with no reference to
Roger Waters.
(Version Two - re-make was a direct (idea) copy of Malcolm Jones’s take-technically better, is far less atmospheric than the original MOTML)
"Golden Hair, Version Two: Take 1"
(acoustic guitar & vocal recorded) U N R E L E A S E D
"Golden Hair, Version Two: Take 2-5" (overdubbed) U N R E L E A S E D
"Golden Hair, Version Two: Take 6"( overdubbed??) on "Opel" (Track 4) & (Box 3,4) (1:41)
"Golden Hair, Version Two: Take 6"( DOLBY SURROUND) on "Opel" (Track 4)
& (Box 3,4) (1:41)
guitar-chorus, vocal-hall
"Golden Hair, Version Two: Take 7-10"(overdubbed) U N R E L E A S E D
"Golden Hair, Version Two: Take 11" (DOLBY SURROUND) on "Madcap" (Track 8)
& (Box 1,8) (1:55)
clear organ and vibes in “MORE” style , vocal - echo monitor, double tracking? vocal
"Golden Hair, Version Two: Take 11" (overdubbed) on "Madcap" (Track 8) & (Box 1,8) (1:55)
Syd Barrett - vocal
Rick Wright? - vibes, organ, cymbals
Jerry Shirley??? - added cymbals
P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S
(engineer - Peter Mew)

August 5, 1969 afternoon, Session Two
"Golden Hair: Take 11" -- June 12, 1969 on "Madcap" (Track 8) & (Box 1,8) (1:55)
M I X I N G S E S S I O N S F R O M M U L T I T R A C K T O S T E R E O
B Y D A V E G I L M O U R A N D R O G E R W A T E R S

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Clowns and Jugglers (Octopus)

July 20 1968 , Abbey Road Studio 3
(Peter Bown announcement;”This is Clowns and Jugglers and it’s take 1”)
"Clowns and Jugglers, Version One: Take 1"
(electric guitar & (vocal?) recorded) U N R E L E A S E D
"Clowns and Jugglers, Version One: Take 1" (DOLBY SURROUND) on (Box 3,18) (3:31)
loud electro and acoustic guitars, down vocal
"Clowns and Jugglers, Version One: Take 1" (CD Box: recorded) on (Box 3,18) (3:31)
Syd Barrett - (vocal?) & electric guitar
1) (0:16-3:35=3:15)
1 - guitar
2 - heavy guitar
3 - vocal
4 - ac. guitar

"Clowns and Jugglers: Take 2" (overdubbed solo on Take 1) U N R E L E A S E D
Syd Barrett - second electric guitar
2) (4:36-10:53=3:15)
1 - guitars
2 - vocal, guitars
3 - guitar
4 - tambureen

P R O D U C E D B Y S Y D B A R R E T T
(engineers - Ken Scott & John Smith)

Start of April 1969, Earls Court Square, 3-room appartment
(Syd played pre-takes tape (demo possibly) for Malcolm Jones MOTML)

Thursday, April 10, 7p.m. - 12.30 1969
(Syd wished to overdub bass and drums MOTML) (Half-speaking words and sounds during the solo MOTML) "Clowns and Jugglers, Version One: Take 1 " (overdubbed:”experimented with ideas”) on "Steel Breeze"(only announcement & Part 1 of C&J) Syd Barrett - acoustic guitar P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) April 25 1969 "Clowns and Jugglers: Take 2"(transfered) T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S TO 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E May 3 1969 (Ratlidge improvise long passages of organ chords which didn’t work. Wyatt ended up playing tambourine. MOTML) "Clowns and Jugglers: Take 2" (DOLBY SURROUND) on "Opel" (Track 2) & (Box 3,2) (3:25) no drums, all band in echo, plosives exist, organ solo up, guitar solo up, before final chorus voice “1-2-3-4” "Clowns and Jugglers: Take 2" (overdubbed) on "Opel" (Track 2) & (Box 3,2) (3:25) & Steel Breeze (Track 6) (??:??) Mike Ratlidge - organ Hugh Hopper - bass Robert Wyatt - drums, tambourine P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) June 12 1969 Work on Old and New Versions The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. (Issued truncated 2:49 instead 3:45. Only 4 track of the 8 were used. Probably 2 vocals and 2 guitars) "Octopus, Version One: Take 2.1"(overdubbed) (Syd produced the original backing track) "Octopus, Version One: Take 2.2"(overdubbed) (Syd produced the original backing track) (Octopus, Version Three has extra verse “Up,up,touching hips to a madcap galloppping chase” Opelzine#8) (Octopus, Version Three: Take 1 - after take “Should I Do That ?”) "Octopus, Version Three: Take 1" (acoustic & vocal false start) on (Box 1,14) (0:20) "Octopus, Version Three: Take 2" (acoustic guitar & vocal recorded) on (Box 1,14) (2:46) vocal crash in the end "Octopus, Version Three: Take 2" (DOLBY SURROUND) on (Box 1,14) (2:46) vocal/guitar echo "Octopus, Version Three: Take 3-10" (acoustic guitar & vocal recorded) U N R E L E A S E D "Octopus, Version Three: Take 11" (CD Box1.7: recorded) (acoustic guitar & vocal recorded) U N R E L E A S E D (3:43) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) June 13 1969 The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. "Octopus, Version Three: Take 11" (DOLBY SURROUND) on "Madcap" (Track 7) & (Box 1,7) (3:43) three vocals, final jam’s guitar down "Octopus, Version Three: Take 11" (overdubbed) on "Madcap" (Track 7) & (Box 1,7) (3:43) Syd Barrett - second vocal, electric guitar Dave Gilmour - bass Jerry Shirley - drums P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) August 5, 1969 morning, Session One "Octopus: Take 11"-- June 13, 1969 on "Madcap" (Track 7) & (Box 1,7) M I X I N G S E S S I O N S F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R A N D R O G E R W A T E R S +VEGAS MIX TRACK 1.14+TRACK 1.7+++ The Sight & Sound of SB’s PF- 16 (Clowns&Junglers (2takes not box set) (1:24) ) Steel Breeze (Clowns&Junglers (2 takes not box set) (4:23) ) Rhamadan - 5 ( Octopus (Mostly diff mis of take 1 plus a couple of short bits from other sessions)(4:23) ) Rhamadan - 5 Octopuss 2:44 “This is Clown and Jugglers RS1 on E69631” T.1 here -longer than 16 sec. Opel - 18 vs. Rhamadan - 5 = similar, but announcement. Levels of backing tracks are slightly higher, and the song is truncated. Possibly the anouncement (3:18) was changed when M.Jones added the overdubs on 3.05.69. When remixed on CD Box, producers decided that the backing track level were too high and remixed. ----------------------------------------------------------------------------------------------------------- Opel Gilmour - I’ve listened to Opel and there’s nothing on there that really illuminates very much or gives very much to anyone. I didn’t approve of it, personally, but it’s not my choice.(MacDonald) Start of April 1969, Earls Court Square, 3-room appartment (Syd played pre-takes tape (demo possibly) for Malcolm Jones MOTML) Friday, April 11 1969 (Opel goes on for 7 mins or so…Except Syd doesn’t sing the line “I’m drowning”Opelzine#8) "Opel: Take 1-8"(acoustic guitar & vocal recorded) U N R E L E A S E D "Opel: Take 9" (acoustic guitar & vocal recorded) on "Opel" (Track 1) & (Box 3,1) (6:22) "Opel: Take 9" (DOLBY SURROUND) on "Opel" (Track 1) & (Box 3,1) (6:22) without hall, vocal and guitar in echo, “I’m trying” - flanger Melk Weg - Opel announcement on Steel Breeze P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) Thursday, April 25 1969 "Opel: Take 9"(transfered) T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E ++NORMALIZE DS AND 2 CHANNEL VERSION++ ----------------------------------------------------------------------------------------------------------- Love You (Love You was a little irregular. Syd went into the next verse, after 61/2 or 7 bars instead 8 MOTML) Start of April 1969, Earls Court Square, 3-room appartment (Syd played pre-takes tape (demo possibly) for Malcolm Jones MOTML) Friday, April 11 1969 ----------------------------------- "Love You, Version One(Fast): Take 1"(acoustic guitar & vocal recorded) on (Box 1,16) (2:14) "Love You, Version One(Fast): Take 1"(acoustic guitar & vocal recorded) on Rhamadan-1 (1:20) "Love You, Version One(Fast): Take 1"(acoustic guitar & vocal recorded) on Steel Breeze-1 (1:05) "Love You, Version One(Fast): Take 1"(DOLBY SURROUND) on (Box 1,16) (2:14) echo monitor, in the end announcement "Love You,Version Two(Slow): Take 2" on "Steel Breeze"( Aka "Love You II") (1:20) "Love You,Version Two(Slow): Take 2?" on "Rhamadan" (Take 2 or Take 5 Chapter24) (1:47) "Love You,Version Two(Slow): Take 3"(False Start) U N R E L E A S E D "Love You,Version Two(Slow): Take 3"( DOLBY SURROUND) on (Box 1,17) (2:09) take3, echo monitor in the end announcement about another take "Love You,Version Two(Slow): Take 3"(acoustic guitar & vocal recorded) on (Box 1,17) (2:09) "Love You: Take 4"(acoustic guitar & vocal recorded) U N R E L E A S E D ------------------------------------(all takes took less than twenty minutes to do) "Love You,Version Two(Slow): Take 5?" on "Rhamadan" (Take 2 or Take 5 Chapter24) (1:47) P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) April 25 1969 "Love You: Take 4" ("minor additions" overdubbed & take transfered) T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E May 3 1969 (Easiest track for overdub. MOTML) "Love You: Take 4"( DOLBY SURROUND) on "Madcap" (Track 3) & (Box 1,3) (2:26) clearly jangle piano, myauuukanie(trombone?) "Love You: Take 4"(overdubbed) on "Madcap" (Track 3) & (Box 1,3) (2:26) Mike Ratlidge - jangle piano, piano, organ(?) Hugh Hopper - bass Robert Wyatt - drums P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) September 16, 1969 Session Three "Love You: Take 4" -- May 3, 1969 on "Madcap" (Track 3) & (Box 1,3) M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R ------------------------------------------------------------------------------------------------------------ No Good Trying Friday, April 11 1969 "No Good Trying: Take 1" vocal and unplugged electroguitar proba of mics "No Good Trying: Take 2" (False Start) vocal and plugged electroguitar "No Good Trying: Take 3" (5 minutes 14 seconds) ( Takes 1-3: (6:22) ) Syd Barrett - guitar and voice "No Good Trying: Take 3" U N R E L E A S E D (CD Box recorded) "No Good Trying: Take 5?" (CD Box Mistake not take5 - TAKE 1-3 !!!!!) on (Box 1,15) !!!!TRACK15 = 6:22 TAKE 1 (0:20-0:45) TAKE 2 (0:45-1:00) TAKE 3 (1:07-6:22)!!!! P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) April 25 1969 "No Good Trying: Take 3"(transfered) T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E May 3 1969 (Between the lines or verses Syd had varying passages of blank guitar chords with no regular form to them, so it’s not easy track for overdub. MOTML) "No Good Trying: Take 3" (overdubbed) U N R E L E A S E D Mike Ratlidge - organ Hugh Hopper - bass Robert Wyatt - drums (CD Box overdubbs added) P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) May 4 1969 "No Good Trying: Take 3" (DOLBY SURROUND) on "Madcap" (Track 2) & (Box 1,2) (3:22) clearly many and many guitar "No Good Trying: Take 3" (overdubbed) on "Madcap" (Track 2) & (Box 1,2) (3:22) Syd's backwards guitar part overdubbed (CD Box overdubbs added) P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) September 16, 1969 Session Three "No Good Trying: Take 3" -- May 3/4, 1969 on "Madcap" (Track 2) & (Box 1,2) M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R ++++MIX TAKE 15 AND TAKE 2 DOLBY++++ ----------------------------------------------------------------------------------------------------------- Terrapin (Guitar and voice (both double tracked).In one take Syd laid down a guitar & vocal track that was to be the master. Syd double tracked his voacl part, and that was it (he later overdubbed solo) MOTML) Start of April 1969, Earls Court Square, 3-room appartment (Syd played pre-takes tape (demo possibly) for Malcolm Jones MOTML) Friday, April 11 1969 DOLBY SURROUND NOT EXIST "Terrapin: Take 1" (acoustic guitar & vocal recorded) on "Madcap" (Track 1) & (Box 1,1) Madcap -1 left channel onlu P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) April 25 1969 "Terrapin: Take 1"(transfered) T R A N S F E R R I N G F R O M O R I G I N A L 4 T R A C K M A S T E R S T O 8 T R A C K MASTER TAPE FOR O V E R D U B S A T A L A T E R D A T E May 4 1969 "Terrapin: Take 1" (overdubbed) on "Madcap" (Track 1) & (Box 1,1) Syd Barrett - lead guitar and second vocal or double tracking vocal 11.04.69 Madcap -1 right channel onlu P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) August 5, 1969 afternoon, Session Two "Terrapin: Take 1" -- May 4, 1969 on "Madcap" (Track 1) & (Box 1,1) M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R A N D R O G E R W A T E R S ----------------------------------------------------------------------------------------------------------- No Man's Land (Syd’s guitar playing could be extremely erratic. He would frequently switch from playing rhytm to lead at double volume, setting meters well into red and requiring a re-take (too many ideas wanting to record all at once!)MOTML) April 17, 1968, afternoon, Abbey Road Studio 2 (Studio 2 for more overdubs and better drums sound (similar with Ringo Star of the time) Takes1&2 - equipment check. Takes 3-5 - complete. Take 5 -best MOTML) (whole session lasted for just three hours and was to be done 'live') "No Man's Land: Take 1-4"(rehearsals(?)) U N R E L E A S E D (Bass track showed room for improvement which we did later… Take 5 bbass was later re-recorded after Syd’s guitar parts has been recorded MOTML) "No Man's Land: Take 5"(Recorded "live" + overdubbs) U N R E L E A S E D (2:59) Syd Barrett - vocals, electric guitars Jerry Shirley - drums John 'Willie' Wilson - bass "No Man's Land: Take 5"(bass, vocals re-maded) U N R E L E A S E D (2:59) Syd Barrett - vocals, electric guitars? John 'Willie' Wilson - bass (CD Box recorded) P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) May 4 1969 "No Man's Land: Take 5" (DOLBY SURROUND) on "Madcap" (Track 4) & (Box 1,4) (2:59) bass up, after drums up, after solo guitar up, after in final listen old made guitar and whisper (he other guitar part was overdubbed MOTML) "No Man's Land: Take 5" (overdubbed) on "Madcap" (Track 4) & (Box 1,4) (2:59) Syd Barrett - lead guitar (CD Box overdubs added) P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) September 16, 1969 Session Three "No Man's Land: Take 5" -- May 4, 1969 on "Madcap" (Track 4) & (Box 1,4) (2:59) M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R -------------------------------------------------------------- Here I Go (Written in a matter of minutes MOTML) Latter line ‘What a boom this tune’ may be links to Boom Tune, which as demo lost by Joe Boyd in 1967 Malcolm Jones - He wrote it, I seem to recall, in a matter of minutes. The whole recording was done absolutely live, with no overdubs at all. Syd changed from playing rhythm to lead guitar at the very end and the change is noticeable. Syd, however, would change like that often… That accounts for the ‘drop’ during the solo, as Syd’s rhythm guitar is no longer there!(MacDonald) April 17, 1969 afternoon "Here I Go: Take 1-4" U N R E L E A S E D "Here I Go: Take 5" (Recorded "live") on "Madcap" (Track 6) & (Box 1,6) (3:08) Syd Barrett - vocal, electric guitar Jerry Shirley - drums John 'Willie' Wilson - bass (CD Box reccorded) "Here I Go: Take 5" (DOLBY SURROUND) on "Madcap" (Track 6) & (Box 1,6) (3:08) K. Ayers style, vocal with echo, guitar up, in the end fade out fantastic jam!!! (At the very end Syd changed from playing rhytm to lead guitar, but standart was make rhytm 1st, and later overdub solo - Syd mix them together. MOTML) P R O D U C E D B Y M A L C O L M J O N E S (engineer - Peter Mew) September 16, 1969 Session Three "Here I Go: Take 5" -- April 17, 1969 on "Madcap" (Track 6) & (Box 1,6) (3:08) M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R ----------------------------------------------------------------------------------------------------------- Dark Globe June 12 1969 The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. "Dark Globe, Version One: Take 1" U N R E L E A S E D "Dark Globe, Version Two: Take 2"( DOLBY SURROUND) on "Madcap" (Track 5) & (Box 1,5) (1:58) (2:10) vocal and guitar without effect hall "Dark Globe, Version Two: Take 2"(acoustic guitar & vocal recorded) on "Madcap" (Track 5) & (Box 1,5) (1:58) (2:10) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) July 26 1969 The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. Dark Globe (Wouldn't you Miss Me), Version Three: Take 1" (acoustic guitar & vocal recorded) on "Opel" (Track 12) & (Box 3,12) (2:57) Dark Globe (Wouldn't you Miss Me), Version Three: Take 1" (DOLBY SURROUND) on "Opel" (Track 12) & (Box 3,12) (2:57) flanger version, plus plositives "Dark Globe (Wouldn't you Miss Me), Version Three: Take 1" (overdubbed?) on "Melk Weg"-2&16 (falsetto) Syd Barrett - second vocal (Dark Globe sounds as though someone’s adding echo to identify it as their bootleg rather than anybody else’s Opelzine#8) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) August 5, 1969 "Dark Globe, Take 1?????" on "Madcap" (Track 5) & (Box 1,5(1:58) (2:10) (CD Box recorded BIG MISTAKE MAY BE!!!) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) August 5, 1969 afternoon, Session Two "Dark Globe: Take 2(Version One)" -- June 12, 1969 on "Madcap" (Track 5) & (Box 1,5) (1:58) (2:10) M I X I N G S E S S I O N F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R A N D R O G E R W A T E R S ++MAKE KIDS VOCAL AKA SCREAM THY LAST SCREAM AND SEE EMILY PLAY++ Rhamadan - 7 - Dark Globe (unreleased version) (0:23) ----------------------------------------------------------------------------------------------------------- Long Gone June 12 1969 Take 1 & Take 2 The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. "Long Gone, Version One: Take 1" (acoustic guitar & vocal recorded) on "Steel Breeze" P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) July 26 1969 Version 2 The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. "Long Gone: Take 1(only Syd as producer)" (acoustic guitar & vocal recorded) on Rhamadan - 1 (1:47) "Long Gone: Take 1(only Syd as producer)" (acoustic guitar & vocal recorded) on Steel Breeze - 1 (1:47) "Long Gone: Take 1" (DOLBY SURROUND) on "Madcap" (Track 9) & (Box 1,9) (2:47) organ and 2 vocal, after 3 vocal in 2 and 3 chorus, ,in the end increase guitar volume "Long Gone: Take 1" (overdubbed) on "Madcap" (Track 9) & (Box 1,9) (2:47) Syd Barrett - second vocal Dave Gilmour????? - organ (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) August 5,1969 morning, Session One "Long Gone: Take 1"-- July 26, 1969 on "Madcap" (Track 9) & (Box 1,9) (2:47) M I X I N G S E S S I O N S F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R A N D R O G E R W A T E R S ----------------------------------------------------------------------------------------------------------- She Took a Long Cold Look Feel If It's In You (Magic of this songs is wonderful!!!!!!!!!!!) Gilmour - It was like one side of the album was six months’ work and we did the other tracks in two and half days. The potential of some of those songs … they could have really been fantastic. (MacDonald) April 26 1969 "Feel: Take 1" (acoustic guitar & vocal recorded) on "Madcap" (Track 11) & (Box 1,11) (CD Box recorded BIG MISTAKE MAY BE!!!) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) July 26 1969 The recording sheet lists Syd and Dave Gilmour as producers, with no reference to Roger Waters. "She Took a Long Cold Look(at me), Version One" U N R E L E A S E D "She Took a Long Cold Look(at me), Version Two: Takes 1-3" (0:40) (acoustic guitar & vocal recorded) on (Box 1,18) false starts "She Took a Long Cold Look(at me), Version Two: Take 4" (??:??) (DOLBY SURROUND) on (Box 1,18) guitar sounds as organ, congas effects too "She Took a Long Cold Look(at me), Version Two: Take 4" (acoustic guitar & vocal recorded) on (Box 1,18) "She Took a Long Cold Look(at me), Version Two: Take 5 (with breakdown)" (1:50) (DOLBY SURROUND) on "Madcap" (Track 10) & (Box 1,10) no dolby surround "She Took a Long Cold Look(at me), Version Two: Take 5 (with breakdown)" (1:50) (acoustic guitar & vocal recorded) on "Madcap" (Track 10) & (Box 1,10) (CD Box recorded) "Feel: Take 1" (DOLBY SURROUND) on "Madcap" (Track 11) & (Box 1,11) (2:10) play with echo vocal, sound equivalent of trip aka Timothy Leary:from dry to big vocal "Feel: Take 1" (acoustic guitar & vocal recorded) on "Madcap" (Track 11) & (Box 1,11) (2:10) Take One (CD Box recorded) "If It's In You: Take 1-4" U N R E L E A S E D "If It's In You: Take 5(with breakdown)" (DOLBY SURROUND) on "Madcap" (Track 12) & (Box 1,12) (2:21) big ac/dc noise!!! "If It's In You: Take 5(with breakdown)" (acoustic guitar & vocal recorded) on "Madcap" (Track 12) & (Box 1,12) (2:21) (CD Box recorded) The way they coupled Feel Take 1 onto If It’s In You Take 5 is misleading (Opelzine#8) P R O D U C E D B Y D A V E G I L M O U R A N D R O G E R W A T E R S (engineer - Peter Mew) August 5,1969 morning, Session One "She Took a Long Cold Look: Take 5"-- July 26,1969 on "Madcap" (Track 10) & (Box 1,10) "Feel: Take 1" -- July 26, 1969 on "Madcap" (Track 11) & (Box 1,11) "If It's In You: Take 5" -- July 26, 1969 on "Madcap" (Track 12) & (Box 1,12) M I X I N G S E S S I O N S F R O M M U L T I T R A C K T O S T E R E O B Y D A V E G I L M O U R A N D R O G E R W A T E R S ----------------------------------------------------------------------------------------------------------- Baby Lemonade The name was subsequently adopted by a group described in NME as a ‘Glasgow buzzsaw guitar outfit’ (MacDonald) February 26 1970 "Baby Lemonade: Take 1" (DOLBY SURROUND) on (Box 2,13) (3:40) in the start mic vocal proba,after mic guitar proba , echo monitor, guitar down, 2 vocal "Baby Lemonade: Take 1" (acoustic guitar & double track vocals recorded) on (Box 2,13) (3:40) (CD Box guitar & double track vocals recorded) "Baby Lemonade: Take 1" (DOLBY SURROUND (intro)) on "Barrett" (Track 1) & (Box 2,1) (??:??) intro-direct to tape "Baby Lemonade: Take 1" (12 string guitar intro recorded by Gilmour (intro - coda by Gilmour)) on "Barrett" (Track 1) & (Box 2,1) (??:??) "Baby Lemonade: Take 1" (overdubs added) on (Box 2,1) (??:??) Syd Barrett - electric guitar Richard Wright - organ, piano Jerry Shirley - drums, percussion David Gilmour - bass, 12 string guitar, conductor of drums in stereo adds echo, Wright-clearly,clear solo in verses, chaos - 2 vocals in the end fantastic jam breakdown and band played without Syd (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) “Baby Lemonade Take ? “ on “Flaming and Screaming” - 2 (0:15) last 2 lines of the song and about 90 sec of Syd strumming his acoustic guitar(Chapter24) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ----------------------------------------------------------------------------------------------------------- Maisie Barrett biographers have yet to discern if this was inspired by the ‘Maisie’ films from 30s and 40s, or the Perishers cartoon strip. Could it be that they just don’t care? (MacDonald February 26 1970 "Maisie: Take 1" (false start lasting a whole two seconds) "Maisie: Take 2" (Recorded 'live') U N R E L E A S E D Syd Barrett - vocal & electric guitar Jerry Shirley - double tracking drums David Gilmour - bass "Maisie: Take 2(unedited)" (overdubs added) on "Flaming And Screaming" (Track 3) Syd Barrett - second vocal in right channel? Complete with announcement (Chapter24) "Maisie: Take 2(edited)" (DOLBY SURROUND) on "Barrett" (Track 6) & (Box 2,6) (2:46) Maisie…Boom! - parody of drums, in the end whisper "Maisie: Take 2(edited)" (overdubs added) on "Barrett" (Track 6) & (Box 2,6) (2:46) Syd Barrett - second vocal in right channel? (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) July 171970 "Maisie: Remake"(recorded) U N R E L E A S E D P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) Maisie: Take ? (slightly diff mix to LP) on "Flaming And Screaming" - 3 studio announcement Maisie: Take ? (slightly diff mix to LP) on "Flaming And Screaming" - 4 diff mix includes a couple of extra lines on vocal which were mixed out on the LP version (Chapter24) ----------------------------------------------------------------------------------------------------------- Gigolo Aunt Gilmour - We could actually work with him in the studio, playing along as he put down his tracks - which was almost impossible, though we succeeded on ‘Gigolo Aunt’. It was mostly a case of me saying, ‘Well, what have you got then, Syd?’ and he’d search around and eventually work something out. John Peel - I actually recorded ‘Gigolo Aunt’ myself for a projected album of spoken word stuff that was quickly aborted. I had three tunes ready when they pulled it, one of which was 'Efferverscing Elephant‘.(MacDonald) February 26 1970 "Gigolo Aunt: Take 1-6 (unfinished)" U N R E L E A S E D "Gigolo Aunt: Take 7 (complete)" U N R E L E A S E D "Gigolo Aunt: Take 8 (unfinished)" U N R E L E A S E D P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) February 27 1970 "Gigolo Aunt: Take 9" (DOLBY SURROUND) on (Box 3,15) (4:01) accordish guitar, organ, no drums almost "Gigolo Aunt: Take 9" (Recorded 'live') on (Box 3,15) (4:01) Syd Barrett - first & second vocal, electric & acoustic guitar Richard Wright - organ Jerry Shirley - drums, percussion Willey - percussion David Gilmour - bass & 2nd organ "Gigolo Aunt: Take 10-14(unfinished)" U N R E L E A S E D (CD Box recorded) "Gigolo Aunt: Take 15" -- (making backing track) on "Barrett" (Track 7) & (Box 2,7) (??:??) Richard Wright - organ Jerry Shirley - drums David Gilmour - bass (CD Box recorded MISTAKE? may be see 1.04.70) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) April 1-2 1970 "Gigolo Aunt: Take 15" -- (making backing track) on "Barrett" (Track 7) & (Box 2,7) (??:??) Richard Wright - organ Jerry Shirley - drums David Gilmour - bass "Gigolo Aunt: Take 15" -- (DOLBY SURROUND) on "Barrett" (Track 7) & (Box 2,7) (??:??) organ, wildwood sounds, knock on guitar deck OR CONGAS??, NO DRUMS!!, in the end congas - Rhamadan?? "Gigolo Aunt: Take 15" -- (Syd recorded along with it) on "Barrett" (Track 7) & (Box 2,7) (??:??) Syd Barrett - first & second vocal, electric & acoustic guitar April 2 1970 "Gigolo Aunt: Take 15" -- (Syd recorded along with it) on "Barrett" (Track 7) & (Box 2,7) (??:??) Syd Barrett - first & second vocal in the end, electric & acoustic guitar (CD Box overdubb added) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) +++++TRACK 2,7 DS LOW AND TREBLE FREQUENCES DOWN+++++ ----------------------------------------------------------------------------------------------------------- Waving My Arms/ I Never Lied To You February 27 1970 "Waving My Arms/ I Never Lied To You: Take 1(Two-track Demo)" (DOLBY SURROUND) on (Box 2,14-15) (2:17/1:48) dry without hall effect "Waving My Arms/ I Never Lied To You: Take 1(Two-track Demo)" (acoustic guitar & vocal recorded) on (Box 2,14-15) (2:17/1:48) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) "Waving My Arms/ I Never Lied To You: Multiple takes(first - the best)" U N R E L E A S E D 26.02.70-mistake as 27.02.70 is take 1 ?? (CD Box guitar and vocals only recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) April 1-2 1970 "Waving My Arms/I Never Lied To You: Take 1" (DOLBY SURROUND) on "Barrett" (Track 8-9) & (Box 2,8-9) (2:10/1:44) good Wright piano, solo guitar "Waving My Arms/I Never Lied To You: Take 1" (new vocal track & overdubs added) on "Barrett" (Track 8-9) & (Box 2,8-9) (2:10/1:44) Syd Barrett - new vocal, electric & acoustic guitar Richard Wright - piano Jerry Shirley - drums David Gilmour - bass P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) July 17 1970 "Waving My Arms In The Air/ I Never Lied To You: Remake"(recorded) U N R E L E A S E D P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ----------------------------------------------------------------------------------------------------------- Wolfpack February 27 1970 "Wolfpack: Two-track Demo*"(acoustic guitar & vocal recorded) U N R E L E A S E D P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) April 3 1970 "Wolfpack: Take 1(New version???)" U N R E L E A S E D "Wolfpack: Take 2(New version)" (DOLBY SURROUND) on "Barrett" (Track 11) & (Box 2,11) acoust. guitar louder than vocal, drums, in the end piano-guitar jam "Wolfpack: Take 2(New version)" (recorded & overdubs added) on "Barrett" (Track 11) & (Box 2,11) Syd Barrett - first & second vocal, electric & acoustic guitar Richard Wright - piano, organ Jerry Shirley - drums David Gilmour - bass (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ----------------------------------------------------------------------------------------------------------- Living Alone Bob Dylan's Blues February 27 1970 "Living Alone*: Two-track Demo"(acoustic guitar & vocal recorded) (Two Version of a song were recorded) U N R E L E A S E D "Bob Dylan's Blues*: Two-track Demo"(acoustic guitar & vocal recorded) (Four Version of a song were recorded) U N R E L E A S E D - Studio logs say that Dave took the master tape with him. P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ----------------------------------------------------------------------------------------------------------- Rats Jerry Shirley - Rats in particular was really odd. That was jaust a very crazed jam and Syd had this lyric that he just shouted over the top… (MacDonald) June 5 1970 "Rats: Two-track Demo" (DOLBY SURROUND) on "Opel" (Track 3) & (Box 3,3) (3:09) echo monitor, hall effect "Rats: Two-track Demo" (acoustic guitar & vocal recorded) on "Opel" (Track 3) & (Box 3,3) (3:09) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (CD Box recorded) June 7 1970 "Rats: Two-track Demo" (DOLBY SURROUND) on "Barrett" (Track 5) & (Box 2,5) all dums clearly, all solo guitar "Rats: Two-track Demo" (overdubs added) on "Barrett" (Track 5) & (Box 2,5) Syd Barrett - two electric guitars Richard Wright - piano in the choruses Jerry Shirley - drums, box David Gilmour - bass (CD Box overdubs added date 7.05.70-mistake!) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ++++TRACK 2.5 DS ORIG VERSION : TREBLE - MAX, LOW - MIN ++++ ----------------------------------------------------------------------------------------------------------- Wined and Dined June 5 1970 "Wined and Dined('bout Gayla): Two-track Demo" (DOLBY SURROUND) on "Opel" (Track 7) & (Box 3,7) (3:01) echo monitor "Wined and Dined('bout Gayla): Two-track Demo" (acoustic guitar & vocal recorded) on "Opel" (Track 7) & (Box 3,7) (3:01) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (CD Box recorded two-track Demo) July14 1970 "Wined and Dined: Take 1- 9"('bout Gayla) & (recorded????) or (numerous overdubs on two-track demo????) U N R E L E A S E D "Wined and Dined: Take 10" ('bout Gayla) & (DOLBY SURROUND) on "Barrett" (Track 10) & (Box 2,10) (2:51) wah-wah and other g. effect, NO VOCALS!!!!! "Wined and Dined: Take 10" ('bout Gayla) & ( recorded) on "Barrett" (Track 10) & (Box 2,10) (2:51) Syd Barrett - wah-wah, electric & acoustic guitar, vocal Richard Wright - organ Jerry Shirley - percussion, tambourine David Gilmour - bass (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (tape operator - John Leckie (RJL)) ------------------------------------------------------------------------------------------ Birdie(Birdy) Hop A title rumoured to refer to UFO co-founder John ‘Hoppy’ Hopkins. June 5 1970 "Birdie Hop: Take 1(Two-track Demo)" (DOLBY SURROUND) on "Opel" (Track 9) & (Box 3,9) (2:26) vocal hall effect "Birdie Hop: Take 1(Two-track Demo)"(acoustic guitar & vocal recorded) on "Opel" (Track 9) & (Box 3,9) (2:26) Birdie Hop: Take 1 (with announcement) on “Melk Weg” (Birdie Hop come from Abbey Road maybe.EMI Manchester Square said they haven’t got it Opelzine#8) (CD Box recorded two-track Demo) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ------------------------------------------------------------------------------------------ Milky Way June 7 1970 Milky Way Version 1&2 existing onto MJones tape Opelzine#8 "Milky Way: Take 1-4" (recorded????) U N R E L E A S E D "Milky Way: Take 5" (DOLBY SURROUND) on "Opel" (Track 13) & (Box 3,13) (3:05) chorus effect a little bit, in the end listen part of solo guitar "Milky Way: Take 5" (acoustic guitar & vocal recorded) on "Opel" (Track 13) & (Box 3,13) (3:05) Milky Way: Take 5 (with announcement: “1-2-3-4”) on “Melk Weg” (Track 1) (Sound’s like the same guitar as Dave’s stuff, I don’t remember him having an acoustic guitar Opelzine#8) "Milky Way: Take 5"(overdubs added or Version 2?) on “From Undeground To The Moon” (Track 1) (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) +++chorus effect a little bit, in the end listen part of solo guitar NORMALIZE+++ ------------------------------------------------------------------------------------------ Millionaire(She Was A Millionaire) June 7 1970 "Millionaire(She Was A Millionaire): Take1"(acoustic guitar recorded) U N R E L E A S E D "Millionaire(She Was A Millionaire): Take2"(acoustic guitar recorded) U N R E L E A S E D P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) ------------------------------------------------------------------------------------------ Effervescing Elephant Apparently one of the 1st song Syd wrote, this remained sufficiently high in his estimation to be played live for the BBC and at a one-off London gig in 1970. Barrett - I used to enjoy playing live; it was a gas. But so’s doing nothing. It’s art-school laziness, really. (MacDonald) John Peel - I actually recorded ‘Gigolo Aunt’ myself for a projected album of spoken word stuff that was quickly aborted. I had three tunes ready when they pulled it, one of which was 'Efferverscing Elephant‘.(MacDonald) July 14 1970 "Effervescing Elephant: Take 1" U N R E L E A S E D "Effervescing Elephant: Take 2" (DOLBY SURROUND) on (Box 3,20) (?:??) echo monitor "Effervescing Elephant: Take 2" (acoustic guitar & vocal recorded) on (Box 3,20) (?:??) "Effervescing Elephant: Take 3" U N R E L E A S E D "Effervescing Elephant: Take 4" U N R E L E A S E D "Effervescing Elephant: Take 5" U N R E L E A S E D "Effervescing Elephant: Take 6" U N R E L E A S E D "Effervescing Elephant: Take 7" U N R E L E A S E D "Effervescing Elephant: Take 8" U N R E L E A S E D (CD Box recorded) "Effervescing Elephant: Take 9" (DOLBY SURROUND) on "Barrett" (Track 12) & (Box 2,12) (2:12) effects!!!!, guitar and vocal down "Effervescing Elephant: Take 9" ( recorded) on "Barrett" (Track 12) & (Box 2,12) (2:12) Syd Barrett - acoustic guitar & vocal Vic Saywell - tuba David Gilmour - arrangement, effects from EMI library (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (tape operator - John Leckie (RJL)) ++++++ Take 9" 2,12 effects!!!!, guitar and vocal down NORMALIZE !!!+++++ ------------------------------------------------------------------------------------------ Dominoes Gilmour - The song just ended after Syd had finished singing and I wanted a gradual fade so I added that section myself. I played drums on that, by the way. (MacDonald) July 14 1970 "Dominoes: Take 1(False Start)" (acoustic guitar & vocal recorded) on (Box 2,17) (0:40) “OK Good Dominoes Notitle I suppose it’s call Dominoes” "Dominoes: Take 2(unfinished)" (acoustic guitar & vocal recorded) on (Box 2,18) (??:??) "Dominoes: Take 2(unfinished)" (DOLBY SURROUND) on (Box 2,18) very good echo, wonderful finish but Gilmour coda "Dominoes: Take 3 on Take2 ? " (DOLBY SURROUND) on "Barrett" (Track 3) & (Box 2,3) (4:02) "Dominoes: Take 3 on Take2 ? " (recorded) on "Barrett" (Track 3) & (Box 2,3) (4:02) (coda of final part by Gilmour/Wright) Syd Barrett - acoustic guitar,forward guitar a little bit,backwards & vocal Richard Wright - organ David Gilmour - bass, drums (CD Box recorded) final coda aka fast version of Embryo P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (tape operator - John Leckie (RJL)) ------------------------------------------------------------------------------------------ Untitled (Love Song) July 14 1970 "Untitled(Love Song): Take 1"( DOLBY SURROUND) on (Box 2,16) (2:29) echo monitor "Untitled(Love Song): Take 1"(acoustic guitar & vocal recorded) on (Box 2,16) (2:29) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (tape operator - John Leckie (RJL)) (CD Box recorded) "Love Song: Take 1" (overdubs added) on "Barrett" (Track 2) & (Box 2,2) (2:57) (CD Box recorded MISTAKE may be??) July 17 1970 "Love Song: Take 1" (DOLBY SURROUND) on "Barrett" (Track 2) & (Box 2,2) (2:57) harmonium only, vocal down "Love Song: Take 1" (overdubs added) on "Barrett" (Track 2) & (Box 2,2) (2:57) Syd Barrett - second vocal, guitar pitch? Richard Wright - piano, harmonium Jerry Shirley - drums David Gilmour - bass (CD Box overdubbs added) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) MAKE FUZZ GUITAR AKA WAITING TO THE PEOPLE INSTEAD HARMONIUM ------------------------------------------------------------------------------------------ Untitled (Let's Split) Waters - In spite of the fact that he was clearly out of control when making his two solo albums, some of the work is staggeringly evocative … It’s the humanity of it all that is so impressive. (MacDonald July 14 1970 " Untitled(Let's Split): Take 1”(with breakdown)" (DOLBY SURROUND) on "Opel" (Track 10) & (Box 3,10) (2:19) flanger version " Untitled(Let's Split): Take 1”(with breakdown)" (acoustic guitar & vocal recorded) on "Opel" (Track 10) & (Box 3,10) (2:19) “I got untitle I suspose title come from” (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (tape operator - John Leckie (RJL)) ------------------------------------------------------------------------------------------ Untitled (Word Song) July 17 1970 "Untitled (Word Song): Take 1(DOLBY SURROUND)" ( acoustic guitar & vocal recorded) on "Opel" (Track 6) & (Box 3,6) (3:17) echo monitor "Untitled (Word Song): Take 1(the only version of this song in existence)" ( acoustic guitar & vocal recorded) on "Opel" (Track 6) & (Box 3,6) (3:17) “Holy penny That’s all” (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) Word Song Take ? on Melk Weg - 5,17 ------------------------------------------------------------------------------------------ Dolly Rocker Gilmour - He’s not a happy person … He’s just completely on another level. (MacDonald) July 14 1970 "Dolly Rocker: Take 1"( DOLBY SURROUND) on "Opel" (Track 5) & (Box 3,5) flanger guitar !! "Dolly Rocker: Take 1"(acoustic guitar & vocal recorded) on "Opel" (Track 5) & (Box 3,5) PARTS 1&2 hard &soft (CD Box recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) (tape operator - John Leckie (RJL)) July 17 1970 "Dolly Rocker"(rudimentary attemps of overdubbing) U N R E L E A S E D P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) +++++Track 3,5 TREBLE AND LOW MAX!!++++++ ------------------------------------------------------------------------------------------ It is Obvious July 17 1970 "It is Obvious: Take 1"( acoustic guitar & vocal recorded) U N R E L E A S E D (CD Box recorded) "It is Obvious: False starts & Take 2" (DOLBY SURROUND) on (Box 2,19) (3:49) monitor "It is Obvious: False starts & Take 2" (electric guitar (blues) & vocal recorded) on (Box 2,19) (3:49) Dave:”Syd Are you ready? Of you go” The end different? (CD Box electric guitar and vocal recorded) "It is Obvious: Take 3" (DOLBY SURROUND) on (Box 3,16) (3:39) echo monitor "It is Obvious: Take 3" (electric guitar(blues) & vocal(low) recorded) on (Box 3,16) (3:39) (CD Box electric guitar and vocal recorded) "It is Obvious: Take 4"( segment recorded?) false start on (Box 3,16) (0:02) "It is Obvious: Take 5(final)" (DOLBY SURROUND) on (Box 3,17) (3:07) echo monitor "It is Obvious: Take 5(final)" (acoustic guitar & vocal recorded) on (Box 3,17) (3:07) Gilmour asking Syd about sound (CD Box acoustic guitar and vocal recorded) P R O D U C E D B Y D A V E G I L M O U R ( a n d R i c k W r i g h t ? ) Recording Engineer - Peter Bown Engineer - Alan Parson(?) July 20 1970 "It is Obvious: Take 1"( DOLBY SURROUND) on "Barrett" (Track 4) & (Box 2,4) (2:52) clear piano, organ, acoustic guitar, in the end solo up "It is Obvious: Take 1"(overdubs added on Take 1) on "Barrett" (Track 4) & (Box 2,4) (2:52) Syd Barrett - second vocal, el solo guitar Richard Wright - organ, piano David Gilmour - bass (CD Box overdubs added) +++2,19 TIME 2:00 GOOD RIFF FOR COPY NOTES+++ ++++MIX ALAN PSYCH…. AND IT’s Obvious++++ ------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------ P R O D U C E D B Y P E T E R J E N N E R Recording Engineers - Jeku Neekie & Pat Stapley 1974 November(?) V A R I O U S S E G M E N T S "If you Go, Don't Be Slow: Demo" (guitar recorded only) "Untitled 1(Echo Stuff): Demo "(guitar recorded only) - "Untitled 2(Boogie): Demo "(guitar recorded only) "Untitled 3(Ballad): Demo "(guitar recorded only) "Untitled 4(Chooka-Chooka-Chung-Chung): Demo "(guitar recorded only) "Untitled 5(If You Go): Demo "(guitar recorded only) "Untitled 6(Echo): Demo "(guitar recorded only) "Untitled 7(Slow Boogie): Demo "(guitar recorded only) "Untitled 8(John Lee Hooker): Demo "(guitar recorded only) "Untitled 9(Fast Boogie): Demo "(guitar recorded only) "Untitled 10(Silas Lang): Demo "(guitar recorded only) "Untitled 11(Jolly Echo): Demo "(guitar recorded only) "Untitled 12(Nice Blues Licks): Demo "(guitar recorded only) Untitled (1:20) on Rhamadan - 6 Untitled (aka 1) on “Flaming and Screaming” Untitled(aka 2) on “Flaming and Screaming” Recording Engineer - John Leckie (RJL) 1974 Stereo Mixing Session(Opel#12) Silas Lang Scream Thy Last Scream on “Flaming and Screaming”-9 upfront vocal mix (Upgrated Studio Master) Vegetable Man on “Flaming and Screaming”-10 extreme rare stereo version Milky Way Dark Globe Untitled’67 Opel Birdy Hop The Word Song Popping the letter “p” at the microphone MOTML Frequently a “take” is attempted not for a master but simply check that equipment is working correctly and to let the performers hear how they sound in the control room MOTML Tapebox - note down by tape operator. Recording sheet - details of each title recorded (false starts, completed, master, approved) May be all Two-Tracks Demo from Abbey Road, but not EMI ? For me change line - CD Box notes:”recorded” Revisited Feb25-28,Mar 09, 2001

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